In his creative process, Xinliu constructs a unique “Silver Symbiosis” aesthetic system, balancing the simplicity and elegance of ceramic material expression. His Silver-Painted Series deconstructs traditional glazing paradigms, exploring new possibilities in the dialogue between raw clay and metal.

Xinliu reconstructs traditional silver decoration techniques on a molecular level, using nano-scale metallic suspension glazes that undergo multiple layers of fusion at high temperatures. This innovative process creates a breathable matte metal layer, retaining the inherent opulence of silver while stripping away the industrial coldness typically associated with metallic surfaces.

By deliberately preserving 30–50% of the raw clay surface, he establishes a dramatic interplay between the natural qualities of different clay origins and the silver decoration. As light glides across the ceramic surface, the unglazed areas—marked by natural pores—diffuse the metallic sheen, while the glazed transition zones exhibit a silk-like texture, creating an interwoven visual rhythm.

Chinese thought emphasises “creating [a spiritual] space through emptiness” and “the coexistence of void and form”. By precisely controlling the depth of silver penetration (0.3–1.2mm), Xinliu ensures that the metallic elements deeply integrate with the clay body while maintaining the breathability of raw ceramic pores. His works transcend traditional glazing and surface decoration—when viewed from different angles, the ceramic pieces reflect a luminous, moonlit glow, injecting a dynamic visual narrative into a static form.

With this series, Xinliu achieves a paradigm shift in material language: silver decoration is no longer a superficial embellishment but a structural medium that redefines the physical boundaries of clay. At the intersection of traditional craftsmanship and contemporary aesthetics, he explores the energies of Eastern beauty, pushing the limits of ceramic artistry.